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	<title>lip magazine &#187; Arts</title>
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	<link>http://lipmag.com</link>
	<description>think about it</description>
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		<title>artist profile: lauren fleishman &#8216;love ever after&#8217;</title>
		<link>http://lipmag.com/arts/art-arts/artist-profile-lauren-fleishman-love-ever-after/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=artist-profile-lauren-fleishman-love-ever-after</link>
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		<pubDate>Sun, 05 Feb 2012 23:21:09 +0000</pubDate>
		<dc:creator>Veronica Harland-Lee</dc:creator>
				<category><![CDATA[Art]]></category>

		<guid isPermaLink="false">http://lipmag.com/?p=14807</guid>
		<description><![CDATA[Lauren Fleishman was born and raised in Brooklyn, New York. She attended the School of Visual Arts with a Vice Presidential Academic Scholarship. In 2000, she was awarded a full scholarship to study at the prestigious Ecole Superieure des Beaux-Arts in Paris. In 2003, Lauren was named one of Photo District News&#8217; 30 young photographers [...]]]></description>
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		<title>ideological technicalities: ‘the big four’ vs. the artist</title>
		<link>http://lipmag.com/arts/film-arts/ideological-technicalities-%e2%80%98the-big-four%e2%80%99-vs-the-artist/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ideological-technicalities-%25e2%2580%2598the-big-four%25e2%2580%2599-vs-the-artist</link>
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		<pubDate>Sun, 05 Feb 2012 22:00:16 +0000</pubDate>
		<dc:creator>Amy Miniter</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[buster keaton]]></category>
		<category><![CDATA[charlie chaplin]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[george langdon]]></category>
		<category><![CDATA[harold lloyd]]></category>
		<category><![CDATA[silent film]]></category>
		<category><![CDATA[the artist]]></category>
		<category><![CDATA[the big four]]></category>

		<guid isPermaLink="false">http://lipmag.com/?p=14799</guid>
		<description><![CDATA[One may accuse the noughties of many things, or perhaps of nothing at all. Being still too similar to the current decade, a lack of distance renders our target as highly ambiguous. Despite this, there are particular omnipotent forces whose influence was just so great that we are able, at this juncture, to comment upon [...]]]></description>
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		<title>Big Day Out, Adelaide, 2012</title>
		<link>http://lipmag.com/arts/music-arts/big-day-out-adelaide-2012/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=big-day-out-adelaide-2012</link>
		<comments>http://lipmag.com/arts/music-arts/big-day-out-adelaide-2012/#comments</comments>
		<pubDate>Sun, 05 Feb 2012 07:27:01 +0000</pubDate>
		<dc:creator>Serrin Prior</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[2012]]></category>
		<category><![CDATA[adelaide]]></category>
		<category><![CDATA[big day out]]></category>
		<category><![CDATA[festival review]]></category>
		<category><![CDATA[live music]]></category>
		<category><![CDATA[music]]></category>

		<guid isPermaLink="false">http://lipmag.com/?p=14789</guid>
		<description><![CDATA[This year was the Big Day Out’s 20th birthday. Of course, it is the 21st birthday that we all celebrate as the big one (though one can only wonder why this is the case in Australia), which may be the reason that the festival was at, ahem, less than full capacity for its Adelaide show. [...]]]></description>
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		<title>artist profile: sara tatai</title>
		<link>http://lipmag.com/arts/art-arts/artist-profile-sara-tatai/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=artist-profile-sara-tatai</link>
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		<pubDate>Thu, 02 Feb 2012 22:36:25 +0000</pubDate>
		<dc:creator>lip magazine</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[sara tatai]]></category>

		<guid isPermaLink="false">http://lipmag.com/?p=14695</guid>
		<description><![CDATA[Sara Tatai is an Australian Sudanese artist. Sara has a BA in Painting and Photography from Deakin University, and a MA Design from the Royal Melbourne Institute of Technology. Sara is currently based in Melbourne, Australia. How would you best describe your style and method? My style is about colour, pattern and texture, and my [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>lip lit: alan glynn, bloodland</title>
		<link>http://lipmag.com/arts/books-arts/lip-lit-alan-glynn-bloodland/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lip-lit-alan-glynn-bloodland</link>
		<comments>http://lipmag.com/arts/books-arts/lip-lit-alan-glynn-bloodland/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 05:29:47 +0000</pubDate>
		<dc:creator>Lachlan Aird</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[alan glynn]]></category>
		<category><![CDATA[bloodland]]></category>
		<category><![CDATA[conspiracy theories]]></category>
		<category><![CDATA[jimmy gilroy]]></category>
		<category><![CDATA[limitless]]></category>
		<category><![CDATA[the darker fields]]></category>
		<category><![CDATA[winterland]]></category>

		<guid isPermaLink="false">http://lipmag.com/?p=14651</guid>
		<description><![CDATA[&#160; Conspiracy theories suggest that something with a seemingly simple explanation explodes into a cyclone of lies, deceit and corruption. Alan Glynn’s Bloodland is a prime example of this phenomenon. Struggling journalist Jimmy Gilroy is given a mundane assignment to write the biography of a train-wreck tabloid star, who died in a helicopter crash three [...]]]></description>
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		<title>album review: big deal, lights out</title>
		<link>http://lipmag.com/arts/music-arts/album-review-big-deal-lights-out/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=album-review-big-deal-lights-out</link>
		<comments>http://lipmag.com/arts/music-arts/album-review-big-deal-lights-out/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 22:00:33 +0000</pubDate>
		<dc:creator>Christine Campbell</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Big Deal]]></category>
		<category><![CDATA[Lights Out]]></category>

		<guid isPermaLink="false">http://lipmag.com/?p=14613</guid>
		<description><![CDATA[The first time I read the email to review Big Deal’s new album Lights Out, I was slightly put off because of their name (ironic? Almost worse if it’s not), but I agreed to check them out after doing a quick Google search on the band name. I found out that Big Deal has been [...]]]></description>
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		<title>lip lit: kate bussmann, a twitter year: 365 days in 140 characters or less</title>
		<link>http://lipmag.com/uncategorised/lip-lit-kate-bussmann-a-twitter-year-365-days-in-140-characters-or-less/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lip-lit-kate-bussmann-a-twitter-year-365-days-in-140-characters-or-less</link>
		<comments>http://lipmag.com/uncategorised/lip-lit-kate-bussmann-a-twitter-year-365-days-in-140-characters-or-less/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 00:03:17 +0000</pubDate>
		<dc:creator>Freya Tomren</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Uncategorised]]></category>
		<category><![CDATA[a twitter year]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[gen y]]></category>
		<category><![CDATA[kate bussmann]]></category>
		<category><![CDATA[social media]]></category>
		<category><![CDATA[tweets]]></category>
		<category><![CDATA[twitter]]></category>

		<guid isPermaLink="false">http://lipmag.com/?p=14626</guid>
		<description><![CDATA[Chances are if you&#8217;re reading this, you&#8217;re a Gen Y (meaning you were born between 1980-2000, though these dates are not clearly defined). Gen Y are sometimes referred to as the Millennial Generation, Generation Me and the Net Generation. Gen Y is stereotyped as having Peter Pan syndrome, being disrespectful to authority figures, having a sense [...]]]></description>
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		<title>soaps and low standards</title>
		<link>http://lipmag.com/arts/film-arts/soaps-and-low-standards/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=soaps-and-low-standards</link>
		<comments>http://lipmag.com/arts/film-arts/soaps-and-low-standards/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 22:00:19 +0000</pubDate>
		<dc:creator>Emma Koehn</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[diversity]]></category>
		<category><![CDATA[home and away]]></category>
		<category><![CDATA[multiculturalism]]></category>
		<category><![CDATA[neighbours]]></category>
		<category><![CDATA[race]]></category>
		<category><![CDATA[soap operas]]></category>
		<category><![CDATA[soaps]]></category>
		<category><![CDATA[television]]></category>

		<guid isPermaLink="false">http://lipmag.com/?p=14522</guid>
		<description><![CDATA[Do we have low standards? The past few weeks have had us questioning the popularity (or lack thereof) of Australian film, literature and culture generally. There&#8217;s talk of us still subscribing to &#8216;Cultural Cringe&#8217;, and failing to value Australian cultural products.  This analysis has been largely related to film and literature, but does it apply [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Books for budding feminists: Ariel Levy, female chauvinist pigs</title>
		<link>http://lipmag.com/arts/books-arts/books-for-budding-feminists-ariel-levy-female-chauvinist-pigs/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=books-for-budding-feminists-ariel-levy-female-chauvinist-pigs</link>
		<comments>http://lipmag.com/arts/books-arts/books-for-budding-feminists-ariel-levy-female-chauvinist-pigs/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 22:00:04 +0000</pubDate>
		<dc:creator>Jessica Barlow</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[body image]]></category>
		<category><![CDATA[book review]]></category>
		<category><![CDATA[books for budding feminists]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[feminism]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[women's issues]]></category>

		<guid isPermaLink="false">http://lipmag.com/?p=14287</guid>
		<description><![CDATA[In ‘Female Chauvinist Pigs’ author Ariel Levy questions what it means to be sexy today. Her search takes her all over America into strip clubs, women’s living rooms and onto a Florida beach where girls are encouraged to strip off their clothes for the cameras of hit TV show ‘Girls Gone Wild’. She finds a [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>film review: hugo</title>
		<link>http://lipmag.com/arts/film-arts/film-review-hugo/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=film-review-hugo</link>
		<comments>http://lipmag.com/arts/film-arts/film-review-hugo/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 06:22:11 +0000</pubDate>
		<dc:creator>Bridget Lutherborrow</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[3d]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[ben kingsley]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[georges méliès]]></category>
		<category><![CDATA[hugo]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[sacha baron cohen]]></category>

		<guid isPermaLink="false">http://lipmag.com/?p=14589</guid>
		<description><![CDATA[Set in 1930s France, Hugo is the story of an orphan boy living in a Parisian train station. Having learned the trade of a clockmaker from his father, Hugo Cabret (Asa Butterfield) spends his days winding the station&#8217;s clocks, stealing food from stalls and evading the station inspector (Sacha Baron Cohen). On the side he [...]]]></description>
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