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Monday 29 March 2021
Arts Books

dizzy limits: recent experiments in australian nonfiction

Eliza Graves-Browne
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Dizzy Limits is an eclectic collection of experimental non-fiction that uses unorthodox style to capture truth and deeper self-exploration. The book features a range of contributors, who all utilise various styles and voices to produce unique pieces of work. The twenty-two essays explore a range of topics including cultural identity, the body, the environment and…
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Thursday 10 October 2019
Books

lip lit: being mean

Eliza Graves-Browne
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CW: sexual abuse, child abuse The honesty of Patricia Eagle’s Being Mean: A Memoir of Sexual Abuse and Survival is at times a painful and difficult read. The book chronicles Patricia’s life in vignettes from the ages of four to sixty-five, with chapters presented chronologically. The early chapters relay her experiences of child sexual abuse,…
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Saturday 31 March 2018
Culture Feminism Opinion

should men be included in feminism?

Eliza Graves-Browne
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Feminism is defined as “the belief that men and women should have equal rights and opportunities”. The broad spectrum of feminist ideologies (from radical, Marxist to liberal) have different expressions of this core belief, but they are all fighting to create an egalitarian society. Many branches of feminism also place emphasis on intersectionality, which considers…
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Saturday 25 November 2017
Art Arts

review: a prudent man

Eliza Graves-Browne
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The stark divergence between the left and the right is growing, with party leaders continually pushing boundaries further to the edges. This extremist divide causes unjust and inhumane policies, such as the recent Manus Island standoff. As someone with left-winged ideologies, it is bewildering to see why and how politicians make the personal choice to…
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Saturday 25 November 2017
Art Arts Uncategorised

interview with jean tong

Charlie Osborne
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Jean Tong is an emerging Melbourne playwright, who recently wrote and directed Romeo Is Not the Only Fruit, now playing at the Butterfly Club. The play aims to address the startling lack of inclusive media representation through dissecting queer and straight rom-com tropes. Lip had the pleasure of interviewing Tong about her recent work and…
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Sunday 22 October 2017
Art Arts

review: madame nightshade’s poison garden

Charlie Osborne
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Madame Nightshade’s Poison Garden left the audience waiting in their seats, while a path between Twistees, cream rice and Mars Bars became our exit. This show had the messiest ending I had ever seen in a theatre performance. Anna, or ‘Madame Nightshade’ put on a spectacular show, utilising physical comedy to make the audience both…
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Thursday 24 August 2017
Arts

review of code breakers: women in games

Aisling Philippa
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Did you know that about 50% of gamers are women? This isn’t a new fact, but it is still contested on a regular basis. Considering that gaming culture is comprised of a mix of young and old, guys and gals (and everyone in between), it’s surprisingly not the most welcoming space. Back in 2014, a…
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Sunday 20 August 2017
Arts Theatre

review: the vagina monologues

Lisa Vo
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If your vagina got dressed, what would it wear? If your vagina could talk, what would it say? Stepping into the bar at The Butterfly Club, my vagina, dressed in Melbournian comfort chic, was happily humming in anticipation of the night’s show, ready and waiting to be coaxed with deft works and a welcoming smile….
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Friday 21 July 2017
Film

film review: get out

Eliza Graves-Browne
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Jordan Peele’s Get Out extraordinarily combines the horror genre with poignant social commentary, using satirical observations to show the racial divide within Western society. For his directorial debut, Peele achieved his goal of showing a ‘common humanity’ by dispelling usual movie tropes. The film tells the story of Chris (Daniel Kaluuya), a young black man…
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Thursday 22 June 2017
Art

ballet review: the sleeping beauty

Eliza Graves-Browne
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David McAllister’s production of The Sleeping Beauty first premiered in 2015. Although it has made slight changes to content since then, it is still a lavish and extravagant production. As the most expensive production in the company’s history, no cent was wasted to create a stunning set design and exorbitant costumes. The aesthetics of the…
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Tuesday 2 May 2017
Arts

review: recreation and leisure

Charlie Osborne
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On Saturday, the 22nd of April, I left the house to see my first real comedy show. I took a friend who is a seasoned comedy show watcher along with me, and headed out for a night of unexpected pleasures. PO PO MO CO, shortened from Post Post Modern Comedy, is a queer acting troupe….
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Thursday 13 April 2017
Art Arts Theatre

review: the flappaganza by pink flappy bits

Emily Holding
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The Flappaganza is the latest and boldest evolution of Tara Dowler and Lou Mapleston’s musical comedy act, Pink Flappy Bits. This sex-positive, feminist comedy showcases a plethora of talented performers in a style that is both daring and charmingly self-deprecating. Unlike previous shows by Pink Flappy Bits, The Flappaganza is a collaborative act that features…
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Wednesday 18 January 2017
Arts Feminism Theatre

review: women on the verge

Eliza Graves-Browne
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The play Women on The Verge produced by the Bridge (Teatro Latino) Theatre company demonstrates both subtle and explicit gender inequalities in society. Directed by Jamie Wilson Ramirez, the production is based on four monologues written by Dario Fo and Franca Rame during the 1970s – 1980s. The adaption brings slight changes to the performance,…
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Monday 14 December 2015
Arts Film TV

jessica jones: thanks, marvel; it’s about time

Eliza Graves-Browne
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  Over the last week, I have obsessively binged on Jessica Jones, the superhero that insists she is just trying to ‘make a goddamn living in this goddamn world.’ Jones, played excellently by Krysten Ritter, is a sarcastic, hardboiled alcoholic who resists being labeled as a heroine. After a brief stint as a superhero, she…
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