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Friday 24 November 2017
Film

film: women of the island

Rosie Hunt
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It’s a quiet Friday lunchtime when I meet Tasmanian filmmaker Ninna Millikin in Hobart’s charismatic suburb of Battery Point. I wait in a small park surrounded by nineteenth-century cottages, and we find a window seat in a cosy café nearby. It seems appropriate that we meet in such a distinctive part of Hobart given what…
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Tuesday 10 October 2017
Film

film review: zelos

Hannah Rogers
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Zelos is a story of cheating. You have probably seen a lot of films like this, but what makes this one different is its realism. And unlike so many other films about cheating, this film is: written, directed, and co-produced by two young women (director Jo-Anne Brechin and writer Claire J Harris) and ALSO has…
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Saturday 9 September 2017
Film

women in film: claudia pickering

Rosie Hunt
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  When I sit down to chat with filmmaker Claudia Pickering over the phone, I am immediately struck by her infectious enthusiasm. She’s sitting in a café working on a web series while we talk. I’m sitting at my desk at home, but still get swept up in the excitement of her burgeoning career in…
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Sunday 6 August 2017
Film

film review: the beguiled

Rosie Hunt
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Sofia Coppola’s latest film, The Beguiled, opens with what seems like an innocent scene: a young girl out in the woods, humming to herself as she collects wild mushrooms. Yet there is something else going on beneath the surface: an undeniably sinister undertone present despite beautiful imagery. To beguile means to ‘persuade, attract, or interest…
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Friday 21 July 2017
Film

film review: get out

Eliza Graves-Browne
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Jordan Peele’s Get Out extraordinarily combines the horror genre with poignant social commentary, using satirical observations to show the racial divide within Western society. For his directorial debut, Peele achieved his goal of showing a ‘common humanity’ by dispelling usual movie tropes. The film tells the story of Chris (Daniel Kaluuya), a young black man…
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Thursday 22 June 2017
Film

film review: wonder woman

Hannah Rogers
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Imagine this… a society that thinks it is strange to see a woman who is independent­. They think it’s odd to find a woman who won’t be shushed, who is vocal, who doesn’t define herself in relation to a man—a woman who wants to fight back against oppression. This is the fantasy world of Wonder…
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Tuesday 25 April 2017
Culture Film

for film’s sake review: love true

Samantha Armatys
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  At the Australian box office in 2014, just 8 per cent of the top 250 films had female directors. There were 21 Australian films among the top earners, and women directed only 14 per cent of them.  These are just some of the many statistics in Screen Australia’s 2015 Gender Matters report that reveal the…
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Sunday 2 April 2017
Film

film review: beauty and the beast

Hannah Rogers
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Beauty and the Beast is another Disney reboot. You’re probably expecting me to say: get over it Disney I have seen this before! But I am not going to say that, because frankly I don’t care. Why? Well because this is a fairy tale. Fairy tales are always being retold and in each retelling, they…
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Friday 24 March 2017
Film

film review: jasper jones

Sarah Randall
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Director Rachel Perkins’ latest film, Jasper Jones, is a powerful and suspenseful coming-of-age drama that will undoubtedly join the likes of Muriel’s Wedding and The Adventures of Priscilla, Queen of the Desert in the canon of great Australian films. Adapted from Craig Silvey’s novel of the same name, the film opens in 1969, when young…
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Monday 20 March 2017
Arts Culture Film

women in film: the big pineapple competition

Rosie Hunt
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Can you make a feature film with $50,000 dollars? Australian filmmaker Sophie Mathisen (Drama) is certain that you can. This is the idea behind the inaugural Big Pineapple Film Competition, launched in February this year by the For Film’s Sake Festival and Women in Film and Television . Mathisen, who is director of both organisations, says…
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Tuesday 14 March 2017
Film

film review: the love witch

Jessie Adams
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Lip‘s Jessie Adams recently attended an exclusive season of The Love Witch at Melbourne’s Lido Cinemas. Check out her review below. Anna Biller’s second feature film The Love Witch weaves a kaleidoscopic spell in genuine 35mm colour film cinematography, conjuring complicated visions of feminine archetypes, gender politics, and sumptuous 1960s occult fashion and film aesthetics. The film…
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Friday 24 February 2017
Film

film review: jackie

Rosie Hunt
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Academy Awards season is well and truly upon us, and now is the time to indulge in as many nominated pictures as physically possible. With nominations for Best Actress, Best Original Music Score, and Best Costume Design, Pablo Larraín’s biopic Jackie should absolutely be on every film goer’s list. From the first minute of the…
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Monday 6 February 2017
Arts Culture Film

women in film: nora niasari

Rosie Hunt
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Nora Niasari is an Iranian-Australian film writer and director. Her latest film is Waterfall. Lip’s Rosie Hunt recently talked to Nora about her work. What can you tell me about Waterfall? Waterfall is a short film about a 14-year-old Iranian girl who goes on a road trip with her mother and her mother’s Australian fiancé….
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Thursday 2 February 2017
Arts Feminism Theatre

review: women on the verge

Theertha Muralidhar
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  Tangos, valiant phrases and spirited performances – Women on the Verge is a political act that recreates different phases of female subjugation. In a misogynistic society, women are shamed into keeping male dominated acts of abuse to themselves. The play sums up a lifetime of abuse women undergo wordlessly. The play comprises of four…
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